Elysium (2013) [Blu-ray]
Action | Drama | Sci-Fi | Thriller

In the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Delacourt (Jodie Foster) will stop at nothing to preserve the luxurious lifestyle of the citizens of Elysium - but that doesn't stop the people of Earth from trying to get in by any means they can. Max (Matt Damon) agrees to take on a life threatening mission, one that could bring equality to these polarized worlds.

Storyline: In the year 2154 two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes, a government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn't stop the people of Earth from trying to get in, by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that if successful will not only save his life, but could bring equality to these polarized worlds. Written by Production

Reviewer's Note: Reviewed by Martin Liebman on December 14, 2013 -- The problem with utopia is that it never works in the long run, cannot be sustained, can never be "good enough." No matter how great it may be on the inside, no matter how wonderful it may appear from the outside, there will always be some sort of conflict, conflict coming from the outside or conflict coming from the inside. Someone will always want a bite of the forbidden fruit, want more than the utopia has to offer. It'll never be beautiful enough, it'll never be safe enough, it'll never be prosperous enough, it'll never be far enough from the unruly neighbors, it'll never be close enough to home, somebody will tire of paying for it, someone will want a piece that they didn't work hard enough to earn. That's basic human nature, whether humans want to admit it or not. It may take a very long time, but the time will come when suddenly, for whatever reason, the utopia isn't looking too good. Even in Star Trek, a future world where everyone works for the betterment of society whether they command the starship or repair the replicators that are spitting out slime, basic human emotions and wants remain. Man will more than likely never achieve the logic-driven, passionless state of Vulcans, and would man really want an existence that dull, anyway? Director Neill Blomkamp's (District 9) Elysium tells the story of one such utopia and both the human corruption from within and the want from those outside that ultimately threaten to wash away the glorious façade thanks to man's inseparable ties with power-lust, greed, and selfishness from each perspective. The film tackles its subject in a clandestinely Sci-Fi outer shell but makes rather obvious political overtones inside, overtones that are all over the map, espousing far-right libertarian and far-left-leaning ideals all at once, often feeling rather confused in message, at least in the early going, but nicely covering it up with a wonderfully shiny and exciting action exterior.

Max (Matt Damon) grew up looking to the heavens, but that doesn't mean he looked very far. Rather than distant stars or even the Earth's own moon, he set his gaze upon the largest object in the sky: Elysium, a manmade paradise reserved for the wealthy and the fortunate. They built the station some time before and left behind the overcrowded, resource-dry Earth for a green, clean paradise in the heavens. Max always promised his friend Frey (Alice Braga) that he'd get them to Elysium. Years later, Max is still on Earth, slaving away at a job manufacturing the very law enforcement robots that harass him, injure him, and extend his parole. Frey's life hasn't been much better. She's a doctor but cannot help her sickly daughter Matilda (Emma Tremblay) who could be healed in mere moments with Elysium's radically advanced medical technology. When Max is accidentally irradiated at work, he's given only days to live. His only option is to reach Elysium and its healing bays, a task that's nearly impossible given its fortifications and armaments and the people ready to use them, chief amongst them Secretary of Defense Jessica Delacourt (Jodie Foster). Max makes a deal to participate in an information-gathering raid on a high-ranking Elysium citizen named John Carlyle (William Fichtner) to gather intelligence on the heavenly paradise. In exchange, he's offered a forged Elysium identification tag and, therefore, a cure for his ailment. Matters are complicated when a dangerous Elysium sleeper agent named Kruger (Sharlto Copley) is ordered to intercept Max at all costs.

It may not look it, but Elysium (look up the Greek origins of the word to better understand the title and the premise) is probably the most politically charged movie of 2013. It deals in everything from illegal immigration to wealth inequality, from universal health care to the police state. In the film, the privileged class enjoys access to free and immediate health care and luxurious living. Illegal immigrants attempt to escape to their world, often in search of medical treatment, only to be destroyed en route. In the film, the working class on Earth is left to live in the cesspool of the world that was while suffering under the boot of a robotic police force that cannot understand basic human emotion, verbal or physical intent, or basic human rights, punishing those who dare question the system, often with violence. They're also subject to the whims of cold "off worlders" who use them as an expendable labor force meant only to work the lines, not make a living and a life. Director Neill Blomkamp has himself said of the movie that it's not a predictive work but rather a reflection of today's society. The film does what good Science Fiction does, which is replicate the issues of today in the guise of a future setting, dressing it up in a form of entertainment rather than tackle it head-on and really open eyes to the issues, though in Blomkamp's defense that falls more under the purview of the Documentary and less the mass entertainer. Still, agree with Blomkamp's take on the issues or not, the film is sure to stir the political pot more than it simply entertains with gunfire and fisticuffs.

But the gunfire and fisticuffs are nevertheless done very well, as is all of the other glitz and glamour and production values the film has to offer. Elysium is careful not to allow its action to overwhelm the plot. Instead, every gunfight and every action scene flows naturally from the story, a consequence of the drama rather than its driving force. It's very well staged and expertly executed with a precision but also a rawness that together give the movie an edge and compliment the bloody, gritty reality of the world and story, not to mention the mechanical add-ons that superficially aid and shape the characters but not nearly as much as does their underlying humanity, or lack thereof. The film does a fine job of painting its characters in a fairly believable light, creating real people aided by technology and beaten down by their circumstances but showing in them a very real soul and strongly beating heart, no matter for which side they fight or on which world they live. Certainly there are fairly obvious elements of cliché at work, particularly in the Jodie Foster and Alice Braga characters. Even Damon's Max is, to a large extent, the classic reluctant hero type whose life is defined by a distant dream and the forced existence that keeps him from it. Sharlto Copley's Kruger, aside from the obvious play on the name, turns in the film's best performance as a wild, uncontrollable, unpredictable hunter. The cast is supported by terrific visuals, in many ways much the same style as seen in District 9, from the slums to the exploding bodies, from the robots to the flying ships. Nevertheless, it all fits into this world effortlessly and, in a way, beautifully. The effects are seamless which is a critical factor in making the movie as absorbing as it can be, dazzling the audience while keeping the story, not shoddy visuals, first.

Elysium isn't so dissimilar from Upside Down, another recent picture depicting two distinct classes of people living in proximity to one another and separated not by artificial boundaries but rather the real dividing line of gravity and the more artificial division of wealth and privilege. That film shapes its tale as a romance while Elysium's action-oriented story tackles a political agenda that's today forefront on every news page, blog, and television news station around the world, and particularly in the United States. It's a rather heavy-handed film, not masking its agenda and sometimes not taking all the truths of utopia and man into account, rather focusing on broad ideals and stereotypes. That doesn't make it a bad film, though. On the contrary, it's quite entertaining and very well made while still a film ripe for further dissection in both the film study and politics classrooms for a number of reasons and with almost no end to the possibilities for analysis. It doesn't capture the same balance between storytelling, social commentary, and action as District 9, but Neill Blomkamp has certainly proven that he knows what he's doing behind the camera. Sony's Blu-ray release of Elysium features reference quality video and audio. A fair assortment of extras are included, but notably absent is a commentary track. Recommended.

[CSW] -2.7- This sci-fi actioner was written and directed by Neill Blomkamp, who also wrote and directed the great sci-fi actioner, District 9; so I naturally had high expectations going into the theater. And it does start out well enough with a world divided in the late 22nd Century into a dystopian terra firma, populated by the poor and a space station world (Elysium) populated by the rich. Max, representational of the dystopian poor, is played by Matt Damon, with his usual standout performance. Secretary of Defense Delacourt, representational of the privileged who reside on Elysium, is played by Jodie Foster, who also nails her character well. But the promise of the beginning quickly deteriorates into plot that makes little sense; and includes too many two-dimensional characters, whose actions are, for the most part, unexplainable. Aside from Damon and Foster, look for good performances from South African actor, Sharlto Copley as Agent Kruger, the villain you will love to hate; and Brazilian actress, Alice Braga as Frey, who was Max's childhood friend and adult love interest. Every movie isn't perfect... and oh did this one fall incredibly short from where I thought it would go. This could have been the best sci-fi movie in the last ten years but instead they phoned it in and let me down. I give it a weak recommendation only.
[V5.0-A5.0] MPEG-4 AVC - No D-Box motion codes were available at the time of this rental although they are available now.


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